These are from "civil war". Just did some minor tweaking after scanning them. I used film because I wanted to get some cool blurry pics but it was too bright for the film I was trying to use up. I put the pics in story book order not chronological.
::::: understeer is definitely a crime - Colin McRae
Those look pretty sweet! I know film is a huge hassle compared to digital stuff but I still find myself wanting to rock it out sometime for something different. Nice work!
f00tography
In our minds. In our reality. In our world we are QUEEN DUCHESS TEAPOT HABERDASHERY!! RULER OF ALL!! PARTY OF ONE!!! fooschnicks: totally oawesome fooschnicks: whatever that means gregthore: oaseome gregthore: without me it's just oaweso gregthore: Eugene has a meagan muff
andysapp wrote:That was a fun event. I need to put some of my footage together.
Andy does your cam shoot native 24p (most cameras don't) or 24p wrapped in 60i? When you cap it, what framerate is it coming in as? I ask because I just got my workflow down and I can help you out with the reverse telecine if you need.
It shoots 24i, 30i, and 60i. I've been shooting at 24i... and importing the same way as far as I know.
My only two gripes about this camera:
A - No progressive anything (Canon says you "can't tell the difference", which is BS.
B - To overcrank, you have to shoot at 60i, capture it as such, then take the clip into Cinema Tools to time stretch.
C (Extra gripe) - It's fooking heavy as all hell with all this fancy shit on it, lol.
"Cutting to the chase: CineFrame24 cherry-picks fields from the camera's 60i video stream to simulate the juddery motion of 24p. However, the motion is worse (more uneven, more syncopated) than true 24p imagery, and it cannot be reverse-telecined to get smooth 24fps imagery. CF24 is fine as a special effect if you're staying on video at 60i, but it's not suitable for a true 24fps feel, nor will it work for film-outs."